This
Is Not About What A Man Should Or Should Not Think,
But
Rather: What He Can Do WITH Thinking
____________________________________________
First
his liver exploded;
then
his lungs collapsed;
his
kidneys sprang a leak, and shortly after that his heart began skipping;
taking
all of this in his frontal lobes said to themselves (as only they
can do):
“We
should get out of this place!”
-- see: they’re unique
in man’s anatomy:
livers
and hearts can’t sense themselves as entities separate from the whole,
and
thus have no thoughts regarding their condition.
“Question: does sensing yourself apart from the whole give you such thoughts,
or does having such thoughts cause the sensation of being separate therefrom?”
Just
as the leading cause of death is a cessation of life;
the
grossest interference to living a comfortable, irritated mental life
is
not being satisfied with it
-- like you’re s’posed to, dammit!
Graffito
on a city building: “Stay on the beaten path --
better yet!
-- BE
a beaten path.”
How
Mind Can Still Prime Itself Even When Nothing Else Is Going Right.
One
music lover has started signing his name: Gary
Guitar
Mandelbaum
--
even
though his name isn't Gary and he doesn't play the mandelbaum.
(Don’t
forget the name of the main tune, maestro fleet fingers: The
Beaten Path.)
Just
as real men don’t fall in love;
and
real warriors don’t stay down when felled,
so
too, real people won’t stay
in the ditch in which everyone’s consciousness is born.
To
seem hip, prisoners commonly like to have a personal Theme
Song,
one
that someone else wrote and sings:
this
is what they choose as their individual calling card --
what could be more fitting.
And
one man changed his name to: Ha Ha
Farrentino for the simple reason that
he
found nothing funny about life and sensed that it was killing him.
Here
in a musical context are the possibilities of what a man can
mentally
look forward to:
Either
the expectation of hearing what you expect (from classical to pop),
or
of that which you don’t (exemplified by jazz);
as
soon as the first prepared notes are recognized: one of them immediately
brings
the
mind joy and allows it to slide down deep in its familiar comfy chair,
(like
the appearance of an old aural friend),
while
the other, as soon as its improvisational nature is realized,
puts
the mind on edge: alertly awaiting to see how goes the real time attempt
to compose even as you play.
Both
have a place in the affairs of ordinary men,
(though
they could get by with but one) while on the other hand:
only
one of them is necessary listening for the uncommon affairs of the real-deal-man.
The
reason that religion, mysticism and philosophy are in the shape they’re
in today
is
because when humans don’t understand a piece of humor,
they
will take what it says seriously.
If
you’re going to be ordinary
-- somewhere in life you’ll punk
out.
A
man told a young boy at a bus stop that the most important thing to success
in life
is
to stare as much as possible.
(He says the lad looked like he had a sense of humor.)
Conversation.
“Other
than when seeking directions: all talk and thought is: talking
to yourself.”
“With thought, I don’t think that it’s me talking to me.”
“Okay
then it’s something
talking to yourself.”
“.......Yeah-h-h......I can go with that.”
After
putting in his quarter, a man asked the Sage
Machine:
“What’s
the sense in discovering what is going on if you can’t tell anybody?”
and
the apparatus replied: “I can’t give you the answer to that;
when
you do
discover what is going on, you will then have the answer to
your
question.”
(And the man tried to get the store clerk to give
him his quarter back.)
Another
curio in the life of man which seems undestined for ordinary ones to ever
see is that it is only those who do not understand what is going on
who
want to help
other people.
(This
is an alternate model of: Those who want to help-others
do
so because they don’t know how to cure themselves.)
The
mental responsibility of ordinary minds is to resist other
minds --
that’s all:
no
original thinking on their own --
just the resisting of other people’s thinking.
(“Neat job, huh?!”)
Question.
Is
there anything interesting, normally overlooked in this commonly played
picture:
A
Nobel prize winner in Mathematics, in his mind, sneers at the fame of
a
fashion super model: “All she/he did was be born looking the way they do:
some
achievement!”
Is
there anything particularly revealing in this scene --
something
which even the most intelligent of men are made to ignore?
As
the walnut said to its shell: “What the hell you call yourself doing?!”
And
in the background, the woody choir softly began to sing:
“Just like a tree that’s planted by the water --
I shall not be dry.”
When
you hear an artist explaining his work,
you’re
hearing a dog trying to explain his fleas.
Medical
News.
If
you don’t know the difference between being deranged and being awake,
you
are definitely not one of the two.
As
the green pecans hanging on the limb say:
*
* *
Then
There's This Guy: (Part 2).
The
Oh So Human Side Of Ordinary Humans As Reflected In Both Their Behavior
And
Clichés About Themselves And Their Propensities,
(For
Your Amusement If Not Edification).
_____________________________
Then
there’s this guy:
The
very sight of whom causes no one to swoon.
With
a big heart --
small everything else, but
-- a big heart.
Whose
reputation preceded him (but not by much).
Who
(as he puts it): "Offers advice to all
-- assistance to none.”
Whose
memory and
truss often slips.
Who
once declined an offer.
With
no redeeming features --
hell! --
with hardly any features at all.
Whose
bark is worse than his smell.
Who
has damned many a torpedo.
On
whom the mantle does periodically: rest
lightly.
With
a mission! --
a foolish one, but --
a mission nonetheless.
Who
would admit to being anything in particular in only the most general of
terms.
To
whom fame meant nothing (which in his case was felicitous).
Who
once: dared to be great!
--
but just once mind you.
Who
left in a lurch.
Who
never thought twice -- but: that’s all right.
Who's
just about had it.
Who
rushes in where angles fear to shop.
Who
took tumbling lessons --
then moved into a closet.
Whose
face is nobody’s fortune.
To
whom laughing at adversity is his aspired norm.
Who
put on a: one man show
--
for which only one man showed.
Whose
entire repertoire consists of
-- whistling
Dixie.
To
whom life is cheap, but a cheap suit, even cheaper.
With
more tongues than ears.
Who,
when he leaves home --
REALLY leaves home.
To
whom words are just words --
and thoughts, merely thoughts.
J
And someone seemed
to ask: “Where precisely would I find this guy?”
(And
some say humor is dead.)
JAN'S
DAILY
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