The
philosophy of one unknown ancient people went thus:
"It
is as pleasurable to be hungry as fed; tired as rested; agitated as at
peace,
and
this is either true to the mind
-- and the body knows it not,
or
else the other way around and we
recognize it not."
"Dear
Pa Pa," said the tyke tugging at the elder's cuff, "that does not to me,
sound
like the sort of philosophy or people one would want to screw around with."
After
seeing certain statistics connecting longevity to locale,
one
man concluded that if he moved to another area he would live longer --
so
he did --
without ever getting out of his chair.
(Not
your run-of-the-mill man, wouldn’t you say?!)
One
man insists on vigorous haircuts to compensate for
the
laid-back, inner massages his head commonly receives.
(“Over there Dr. Trollop:
is that Hortense?”)
Civilization
as played out in some places
is
like the transplanting of Wilson
Pickett's head to the body of Pachelbel.
There
is a certain pretentious seriousness in men's intangible, cultural affairs
that
when introduced into the loose adventure of being alive
becomes
like permanent creases in a folded map, distorting
-- even obliterating
some
of the destinations extant thereon.
A
real-deal-man is never devastated.....(well, maybe after he’s dead.....
.....but
then who’s to know?!)
If
it weren’t for adjectives the minds of prisoners wouldn’t feel they know
anything.
Something
to ponder: The more one lives in the prison part of the mind,
the
more important becomes the idea of fame: of being well known,
and
apparently liked by people who do not know you personally (or conversely):
enjoying affording a stranger fame by your public liking of him.
Think
on how this applies to what goes on in your own mental processes
(since
that is where everything in these daily writings and everywhere else is
of use).
A
memo circulating among some mutineers notes:
“Merely
being aware of what is called the pros
& cons of the positions men
take in discussions of human affairs is not --
thinking about things more than you have.
News
Regarding Personal Finances.
One
benefit of not buying anyone’s story is that you do not then have to contend
with even those so called: easy-monthly-payments.
Conversation
In Some Imaginary Realm
“The
two saddest things in the world: Men believing they can be other than they
are.”
“And the second?”
“Them
not trying to be.”
“How weird is that?”
“It’s
not number one.”
One
man says: “The advantage of being a prisoner condemned to death,
with
no appeal possible is that he accepts for certain he will die,
whereas
a man diagnosed with a fatal illness still has some hope, in that:
he
might get better; the diagnosis could be wrong, or a cure may be found."
Having
no alternative is the way of the real-deal-man.
“Yes, but isn’t it also in always having
alternatives?!”
Certainly.
You
can tell you're in a scripted life the same way you know you're in a kung
fu movie: there’s a lot of grunting.
(A
little something by the way, which all
areas of the nervous system can enjoy.)
People
with no understanding of what is going on often enjoy telling others derisively
that they: know-too-much.
“Pa pa: is that possible?”
“If
you are dumb enough to believe it.”
“Okay,”
said one guy to his brother, “this gets tricky so follow closely:
first:
everything seems like a metaphor for something else;
then
everything is what it is;
finally
everything becomes a metaphor for metaphors.
Got it?”
Two
Generally Unknown (Though Potentially Significant) Groups.
The
Aluminati: They secretly install shiny
siding on your house.
The
Eleminati: If you manage to become
a member --
they cut you out.
On
another world: one man's guiding principle is:
"I
have no interest in men's: guiding
principles."
All
that directs the movements of the nervous-system-knight is his own
unusually
liberated nervous system.
Two
sets of local conditions were sitting around talking one day and one of
them said:
"You
know something fascinating: the distinction between my native reality
in
one place, and the natives' artistic sense (for instance):
the
creatures on one of my worlds, in their producing of a popular television
drama, brought on a well known and well liked actor for a one shot appearance
as
a quite despicable character, then shortly afterwards their lead actor
died,
and
the consensus was that the ideal replacement would be the actor who'd played
the
unsavory character in the episode I just mentioned,
so
they were faced with a real dilemma: how to bring on an actor to play a
heroic role who was already identified with a negative persona:
how
in the world to make viewers ignore what had happened before,
and
accept what should be an unacceptable situation?
-- what to do?
But
turned out to be no problem at all for my little ones:
with
the aid of artistic license and the assistance of the audience's limited
scope of awareness and memory, they --
with no introduction, explanation or excuse --
simply
brought on the actor I mentioned, now in the lead role, and --
Voila!
--
instant
rehabilitation! Amazing I tell you: absolutely amazing,"
but
the other set of local conditions shook its head:
"No,
no --
forget about your creatures with artistic
sensibilities and dramatic license;
I
have some beings on one of my planets who do the same thing in
real life."
and
the first set said: "Aw come on --
you don't expect me to believe
that!"
Periodically,
in private, one man has an especially good laugh --
about
nothing in particular (except maybe: what he knows).
J
JAN'S
DAILY
REAL
NEWS
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